Crossroads of arts: intercultural dialogue of choreographic and theatrical practices of the Ukrainian diaspora in the second half of the 20th century
DOI:
https://doi.org/10.14571/brajets.v17.nse3.267-277Keywords:
Ukrainian diaspora, choreographic practices, theatrical practices, intercultural dialogue, national identity, cultural heritage, folk choreography, theatrical art, folklore interpretation, synthesis of artsAbstract
The article explores the role of choreographic and theatrical practices in the Ukrainian diaspora during the second half of the 20th century as a means of preserving national identity and fostering intercultural dialogue. Through the lens of migration and cultural adaptation, the study examines how Ukrainian artists, spread across North America, Europe, and Australia, utilized dance and theatre as tools for both cultural preservation and artistic innovation. The fusion of traditional Ukrainian folk elements with the artistic traditions of host countries became a key feature of this creative process, resulting in performances that resonated with diverse audiences while maintaining a strong connection to Ukrainian heritage. The article investigates the contributions of prominent figures and ensembles, highlighting their impact on both the Ukrainian community and the broader cultural landscape. By integrating historical analysis with an exploration of contemporary practices, the study reveals the transformative potential of diaspora arts in bridging cultural divides, enriching global artistic practices, and reinforcing a sense of collective identity. This research contributes to a deeper understanding of the cultural dynamics within the Ukrainian diaspora and their role in the global dialogue of artistic exchange.References
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Copyright (c) 2024 Olga Kvetsko, Nadiia Kukuruza, Svitlana Vasiruk, Vira Prokopiak, Nataliia Kyrylchuk
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